open water
I can't remember what it was
that I was trying to remember -
just reunions, details around
rhythm in grass, the little stir
of summer feet bare and callused
echoing those instants of light
drawn in her hair, and she explained
'just step in time with me'
Impossible, the heel to toe
then toe to heel and back
again, that daughters of the sun
danced in laughing patterns born
by counting beats, in course by fours;
Listen to it across the resort -
my father's old polkas from north
Deutschland, tuba supporting
another chorus of Betty Wolf
'weisst nicht wie gut ich dir bin'
and again I'm six, the girl expecting
everything and I can't begin
to grasp her will to share this - motion
or kata of joy I cannot join
Which random memory sums up
the distance of a few June
rains - or that I still can't recall
completely my grandfather's face
who'd play button-accordian
at Christmastime and gather us
together again in July.
And lately insomnia strikes
us against the dawn like flint
and flaunts itself in our walking, rhythmless
cigarette stems extending to air -
inverse roses held in unresolved fingers
moving minus one through
the ashen fresco of morning
haggard to the cafe, imparting
impotent witness to sky of marble,
flesh and funerals I didn't make -
reason it out for me:
the excuses, lies I tell myself:
We're feeling older farther
apart alone and busy missing
everyone regardless. Remember
wrestling Michael Gerving in my hometown,
the exhaust-brown snow
outside the blue squat
of his single story house, ruddy Sioux
face red from the cold,
walking down to the Callaway
general store, past Baker's Cafe
(closed now, population down
and dwindling for years) - it was the first grade;
we had venison for supper
and we were up all night talking
under a poster of Daisy Duke
about stuff. Like Adam and I at the wedding
or anywhere, dilating on nothing
in time to the revolutions
in our heads, stories we know
by heart, mincing physics to tao
mostly because we could -
the lot of us tangled together
on the Crane's bed and another bowl
watching each other: cascade into light
as the night dragged on; dripping into static;
for sides of us we'd finally understand.
The ceiling spun fustian
circles, the spackle asking
what begged excuses for things, caved
into koans of bathos and sound
(my slack is better for want of nothing
better in my pants, or really there?
Mu. Nothing was funny, we laughed anyway)
I don't know what's left of that. Adam's gone:
he left us images, pictures taken while
in Tabago - Argyll waterfall, five frames
high from the path and there, at the bottom
is Adam stretching arms up and out to sky
under the mist, before getting sick,
dying in Trinidad from malaria,
mother arriving too late, family left
putting pieces together and college friends
from chicago driving eighteen hours straight
on amphetamines and coke to make Vermont
and the wake on short notice, arriving there
resembling Adam - unshowered, a little crazy,
high. We knew malaria from bio
and analyzed the human vector - female
ancepholes mosquitos introduce
the parasite to blood stream in saliva
excreted during feeding; the parasite
travels to liver, attacks hepatocytes
beginning tissue reproductive cycle
that lasts seven to twenty-eight days
for P. falciparum - the only fatal
strain of four - the merozoites produced
attack red blood cells, attaching
to cell membrane, invaginate and through
asexual division multiply;
infected cells become irregular
plugging capillaries until they
undergo lysis, which then stimulates
Tumor Necrosis Factor - causing fever,
nausea, damage to liver, renal failure
and anemic symptoms that lead in half of all
untreated cases eventually to death,
ariel blood patterns that burst open
flowering to gametocytes, residual
grief and memory, resonance
of loon cries over open water;
Listen to them across the lake
calling into morning -
my uncle Lee cooking pancakes
in his camper, brothers and I
sitting on the red stained dock
on Sunday mornings before mass
small talk echoing fog
swirling over the lake surface
like smoke to air - Lee's pipe tobacco
booming out from nostrils behind
newspaper, legos
strewn on the floor where I would build
my figures beside his brown recliner
in the living room. I saw him last
at home helping my father
pour the foundation for a new building
before I'd missed his wake,
talking through the pragmatics
of construction squint-eyed laughing
and commanding detail in a way
that contrasts to these moebius forms
for childhood: humming a melody
having forgotten rhythm
sings to memory, disjuncts
drawn from proteins winding apart
into the iris of ion channels
open to instants apart
from time - dielectrics of mind
and past where Adam is again
telling me to hold it in longer,
this time until it hurts.
josh buermann © 2000