open water I can't remember what it was that I was trying to remember - just reunions, details around rhythm in grass, the little stir of summer feet bare and callused echoing those instants of light drawn in her hair, and she explained 'just step in time with me' Impossible, the heel to toe then toe to heel and back again, that daughters of the sun danced in laughing patterns born by counting beats, in course by fours; Listen to it across the resort - my father's old polkas from north Deutschland, tuba supporting another chorus of Betty Wolf 'weisst nicht wie gut ich dir bin' and again I'm six, the girl expecting everything and I can't begin to grasp her will to share this - motion or kata of joy I cannot join Which random memory sums up the distance of a few June rains - or that I still can't recall completely my grandfather's face who'd play button-accordian at Christmastime and gather us together again in July. And lately insomnia strikes us against the dawn like flint and flaunts itself in our walking, rhythmless cigarette stems extending to air - inverse roses held in unresolved fingers moving minus one through the ashen fresco of morning haggard to the cafe, imparting impotent witness to sky of marble, flesh and funerals I didn't make - reason it out for me: the excuses, lies I tell myself: We're feeling older farther apart alone and busy missing everyone regardless. Remember wrestling Michael Gerving in my hometown, the exhaust-brown snow outside the blue squat of his single story house, ruddy Sioux face red from the cold, walking down to the Callaway general store, past Baker's Cafe (closed now, population down and dwindling for years) - it was the first grade; we had venison for supper and we were up all night talking under a poster of Daisy Duke about stuff. Like Adam and I at the wedding or anywhere, dilating on nothing in time to the revolutions in our heads, stories we know by heart, mincing physics to tao mostly because we could - the lot of us tangled together on the Crane's bed and another bowl watching each other: cascade into light as the night dragged on; dripping into static; for sides of us we'd finally understand. The ceiling spun fustian circles, the spackle asking what begged excuses for things, caved into koans of bathos and sound (my slack is better for want of nothing better in my pants, or really there? Mu. Nothing was funny, we laughed anyway) I don't know what's left of that. Adam's gone: he left us images, pictures taken while in Tabago - Argyll waterfall, five frames high from the path and there, at the bottom is Adam stretching arms up and out to sky under the mist, before getting sick, dying in Trinidad from malaria, mother arriving too late, family left putting pieces together and college friends from chicago driving eighteen hours straight on amphetamines and coke to make Vermont and the wake on short notice, arriving there resembling Adam - unshowered, a little crazy, high. We knew malaria from bio and analyzed the human vector - female ancepholes mosquitos introduce the parasite to blood stream in saliva excreted during feeding; the parasite travels to liver, attacks hepatocytes beginning tissue reproductive cycle that lasts seven to twenty-eight days for P. falciparum - the only fatal strain of four - the merozoites produced attack red blood cells, attaching to cell membrane, invaginate and through asexual division multiply; infected cells become irregular plugging capillaries until they undergo lysis, which then stimulates Tumor Necrosis Factor - causing fever, nausea, damage to liver, renal failure and anemic symptoms that lead in half of all untreated cases eventually to death, ariel blood patterns that burst open flowering to gametocytes, residual grief and memory, resonance of loon cries over open water; Listen to them across the lake calling into morning - my uncle Lee cooking pancakes in his camper, brothers and I sitting on the red stained dock on Sunday mornings before mass small talk echoing fog swirling over the lake surface like smoke to air - Lee's pipe tobacco booming out from nostrils behind newspaper, legos strewn on the floor where I would build my figures beside his brown recliner in the living room. I saw him last at home helping my father pour the foundation for a new building before I'd missed his wake, talking through the pragmatics of construction squint-eyed laughing and commanding detail in a way that contrasts to these moebius forms for childhood: humming a melody having forgotten rhythm sings to memory, disjuncts drawn from proteins winding apart into the iris of ion channels open to instants apart from time - dielectrics of mind and past where Adam is again telling me to hold it in longer, this time until it hurts. josh buermann © 2000